Clarendon typeface was introduced by Thorowgood & Besley of London (or Thorowgood and Besley), more commonly known as Fann Avenue Foundry in 1845. Robert Besley is widely credited with designing Clarendon; initial engraving work was done by Benjamin Fox, an apprentice punchcutter who may also have contributed his expertise towards its style and design. Since its introduction, many copies, adaptations, revivals have taken place, making this typeface one of the cornerstones of typographic history.
Clarendons are distinguished by bold and reliable lettering that recalls “modern” serif fonts popular during the 19th century (for instance an R with curled legs and ball terminals in its “a,” but bolder and with less contrast between stroke weights). Clarendon designs often incorporate bracketed serif structures which progressively grow larger when reaching first stroke of letters.
Clarendon Font Free Download
Slab serif typefaces experienced turn out to be well-liked in British lettering and printing around the prior thirty-five years in advance of the first Clarendon’s launch, both for screen use on signage, architectural lettering and posters and for emphasis in just a block of textual content. The Clarendon layout was promptly extremely popular and was swiftly copied by other foundries to become in result a complete style of style design. Clarendon fonts proved very popular in lots of parts of the world, especially for screen programs such as posters printed with wooden variety. They’re for that reason normally linked with needed posters plus the American Old West.
A revival of interest happened during the post-war time period: Jonathan Hoefler opinions that “some of the best and many important Clarendons are twentieth century designs” and highlights the Haas and Stempel foundry’s daring, large Clarendon display experience as “a vintage that for most people today will be the epitome of your Clarendon model.
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